III
Several months had passed since the dreadful night when death had deprived Paula for the second time of a loved parent.
After the first shock of grief was over, the girl had thrown all her energies into work, with the view of attaining that position in the musical world which her father and mother had dreamed might be hers.
She had remained in the small home occupying now but the half of it; and here she kept house with the faithful Berta’s aid.
Friends were both kind and attentive to the stricken girl. But there had been two, whose constant devotion spoke of an interest deeper than mere friendly solicitude.
Max Kuntzler’s love for Paula was something that had taken hold of his sober middle age with an enduring strength which was not to be lessened or shaken, by her rejection of it. He had asked leave to remain her friend, and while holding the tender, watchful privileges which that comprehensive title may imply, had refrained from further thrusting a warmer feeling on her acceptance.
Paula one evening was seated in her small sitting-room, working over some musical transpositions, when a bang at the bell was followed by a footstep in the hall which made her hand and heart tremble.
George Brainard entered the room, and before she could rise to greet him, had seated himself in the vacant chair beside her.
"What an untiring worker you are," he said, glancing down at the scores before her. "I always feel that my presence interrupts you; and yet I don’t know that a judicious interruption isn’t the wholesomest thing for you sometimes."
"You forget," she said, smiling into his face, "that I was trained to it. I must keep myself fitted to my calling. Rest would mean deterioration."
"Would you not be willing to follow some other calling?" he asked, looking at her with unusual earnestness in his dark, handsome eyes.
"Oh, never!"
"Not if it were a calling that asked only for the labor of loving?"
She made no answer, but kept her eyes fixed on the idle traceries that she drew with her pencil on the sheets before her.
He arose and made a few impatient turns about the room, then coming again to her side, said abruptly:
"Paula, I love you. It isn’t telling you something that you don’t know, unless you have been without bodily perceptions. Today there is something driving me to speak it out in words. Since I have known you," he continued, striving to look into her face that bent low over the work before her, "I have been mounting into higher and always higher circles of Paradise, under a blessed illusion that you- cared for me. But today, a feeling of dread has been forcing itself upon me- dread that with a word you might throw me back into a gulf that would now be one of everlasting misery. Say if you love me, Paula. I believe you do, and yet I wait with indefinable doubts for your answer."
He took her hand which she did not withdraw from his.
"Why are you speechless? Why don’t you say something to me!" he asked desperately.
"I am speechless with joy and misery," she answered. "To know that you love me, gives me happiness enough to brighten a lifetime. And I am miserable, feeling that you have spoken the signal that must part us."
"You love me, and speak of parting. Never! You will be my wife. From this moment we belong to each other. Oh, my Paula," he said, drawing her to his side, "my whole existence will be devoted to your happiness."
"I can’t marry you," she said shortly, disengaging his hand from her waist.
"Why?" he asked abruptly. They stood looking into each other’s eyes.
"Because it doesn’t enter into the purpose of my life."
"I don’t ask you to give up anything in your life. I only beg you to let me share it with you."
George had known Paula only as the daughter of the undemonstrative American woman. He had never before seen her with the father’s emotional nature aroused in her. The color mounted into her cheeks, and her blue eyes were almost black with intensity of feeling.
"Hush," she said; "don’t tempt me further." And she cast herself on her knees before the table near which they stood, gathering the music that lay upon it into an armful, and resting her hot cheek upon it.
"What do you know of my life," she exclaimed passionately. "What can you guess of it? Is music anything more to you than the pleasing distraction? Can’t you feel that with me, it courses with the blood through my veins? That it’s something dearer than life, than riches, even than love?" with a quiver of pain.
"Paula listen to me; don’t speak like a mad woman."
She sprang up and held out an arm to ward away his nearer approach.
"Would you go into a convent, and ask to be your wife a nun who has vowed herself to the service of God?"
"Yes, if that nun loved me; she would owe to herself, to me and to God to be my wife."
Paula seated herself on the sofa, all emotion seeming suddenly to have left her; and he came and sat beside her.
"Say only that you love me, Paula," he urged persistently.
"I love you," she answered low and with pale lips.
He took her in his arms, holding her in silent rapture against his heart and kissing the white lips back into red life.
"You will be my wife?"
"You must wait. Come back in a week and I will answer you." He was forced to be content with the delay.
The days of probation being over, George went for his answer, which was given him by the old lady who occupied the upper story.
"Ach Gott! Fraulein Von Stoltz ist schon im Leipsic gegangen!"- *001 All that has not been many years ago. George Brainard is as handsome as ever, though growing a little stout in the quiet routine of domestic life. He has quite lost a pretty taste for music that formerly distinguished him as a skilful banjoist. This loss his little black-eyed wife deplores; though she has herself made concessions to the advancing years, and abandoned Virginia breakdowns as incompatible with the serious offices of wifehood and matrimony.
You may have seen in the morning paper, that the renowned pianist, Fraulein Paula Von Stoltz, is resting in Leipsic, after an extended and remunerative concert tour.
Professor Max Kuntzler is also in Leipsic- with the ever persistent will- the dogged patience that so often wins in the end.
THE END
FOOTNOTES