The Notebooks of Leonardo Da Vinci

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Author: Leonardo da Vinci

173.

These bodies standing apart in a room lighted by a single window will have derivative shadows more or less short according as they are more or less opposite to the window. Among the shadows cast by bodies of equal mass but at unequal distances from the opening by which they are illuminated, that shadow will be the longest of the body which is least in the light. And in proportion as one body is better illuminated than another its shadow will be shorter than another. The proportion n m and e v k bear to r t and v x corresponds with that of the shadow x to 4 and y.

The reason why those bodies which are placed most in front of the middle of the window throw shorter shadows than those obliquely situated is:—That the window appears in its proper form and to the obliquely placed ones it appears foreshortened; to those in the middle, the window shows its full size, to the oblique ones it appears smaller; the one in the middle faces the whole hemisphere that is e f and those on the side have only a strip; that is q r faces a b; and m n faces c d; the body in the middle having a larger quantity of light than those at the sides is lighted from a point much below its centre, and thus the shadow is shorter. And the pyramid g 4 goes into l y exactly as often as a b goes into e f. The axis of every derivative shadow passes through 6 1/2 [Footnote 31: passa per 6 1/2 (passes through 6 1/2). The meaning of these words is probably this: Each of the three axes of the derived shadow intersects the centre (mezzo) of the primary shadow (ombra originale) and, by prolongation upwards crosses six lines.

This is self evident only in the middle diagram; but it is equally true of the side figures if we conceive of the lines 4 f, x n v m, y l k v, and 4 e, as prolonged beyond the semicircle of the horizon.] and is in a straight line with the centre of the primary shadow, with the centre of the body casting it and of the derivative light and with the centre of the window and, finally, with the centre of that portion of the source of light which is the celestial hemisphere, y h is the centre of the derived shade, l h of the primary shadow, l of the body throwing it, l k of the derived light, v is the centre of the window, e is the final centre of the original light afforded by that portion of the hemisphere of the sky which illuminates the solid body.

[Footnote: Compare the diagram on Pl. IV, No. 3. In the original this drawing is placed between lines 3 and 22; the rest, from line 4 to line 21, is written on the left hand margin.]

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Chicago: Leonardo da Vinci, "173.," The Notebooks of Leonardo Da Vinci, trans. Richter, Jean Paul, 1847-1937 in The Notebooks of Leonardo Da Vinci (New York: Dover Publications, Inc., 1970), Original Sources, accessed February 25, 2024, http://www.originalsources.com/Document.aspx?DocID=8U7KIFVVAISC49I.

MLA: Vinci, Leonardo da. "173." The Notebooks of Leonardo Da Vinci, translted by Richter, Jean Paul, 1847-1937, in The Notebooks of Leonardo Da Vinci, New York, Dover Publications, Inc., 1970, Original Sources. 25 Feb. 2024. http://www.originalsources.com/Document.aspx?DocID=8U7KIFVVAISC49I.

Harvard: Vinci, LD, '173.' in The Notebooks of Leonardo Da Vinci, trans. . cited in 1970, The Notebooks of Leonardo Da Vinci, Dover Publications, Inc., New York. Original Sources, retrieved 25 February 2024, from http://www.originalsources.com/Document.aspx?DocID=8U7KIFVVAISC49I.