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The Poems of Henry Clarence Kendall
Contents:
To Charles Harpur
I would sit at your feet for long days, To hear the sweet Muse of the Wild Speak out through the sad and the passionate lays Of her first and her favourite Child.
I would sit at your feet, for my soul Delights in the solitudes free; And I stand where the creeks and the cataracts roll Whensoever I listen to thee!
I would sit at your feet, for I love By the gulches and torrents to roam; And I long in this city for woodland and grove, And the peace of a wild forest home.
I would sit at your feet, and we’d dwell On the scenes of a long-vanished time, While your thoughts into music would surge and would swell Like a breeze of our beautiful clime.
I would sit at your feet, for I know, Though the World in the Present be blind, That the amaranth blossoms of Promise will blow When the Ages have left you behind.
I would sit at your feet, for I feel I am one of a glorious band That ever will own you and hold you their Chief, And a Monarch of Song in the land!
Contents:
Chicago:
Henry Kendall, "To Charles Harpur," The Poems of Henry Clarence Kendall, ed. Sutherland, Alexander, 1853-1902 and trans. Seaton, R. C. in The Poems of Henry Clarence Kendall (New York: George E. Wood, ""Death-bed"" edition, 1892), Original Sources, accessed July 14, 2025, http://www.originalsources.com/Document.aspx?DocID=DJRNL3VBM51TNE2.
MLA:
Kendall, Henry. "To Charles Harpur." The Poems of Henry Clarence Kendall, edited by Sutherland, Alexander, 1853-1902, and translated by Seaton, R. C., in The Poems of Henry Clarence Kendall, New York, George E. Wood, ""Death-bed"" edition, 1892, Original Sources. 14 Jul. 2025. http://www.originalsources.com/Document.aspx?DocID=DJRNL3VBM51TNE2.
Harvard:
Kendall, H, 'To Charles Harpur' in The Poems of Henry Clarence Kendall, ed. and trans. . cited in ""Death-bed"" edition, 1892, The Poems of Henry Clarence Kendall, George E. Wood, New York. Original Sources, retrieved 14 July 2025, from http://www.originalsources.com/Document.aspx?DocID=DJRNL3VBM51TNE2.
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